You watch it unfold--detonate, more like--with giddy incredulousness, stunned that somebody actually had the guts to put such supercharged images on the screen. That doesn't automatically make it a great movie, but it does make it a valuable one, especially in a culture given to endless hand-wringing over dull, mealymouthed Ron Howard versions of airport novels. One glance at Christina Ricci, clad in a T-shirt and panties, sporting a shiner, and affixed to Samuel L. Jackson's radiator via a massive chain around her waist, and the question of who Jesus did or didn't bone 2, years ago quickly starts to seem academic. Brewer wastes no time getting flagrantly, joyously offensive, superimposing the film's title borrowed from an old blues number over a slow-motion shot of Ricci's Rae sashaying down a country road in a midriff-baring top and hot pants, blocking the path of a massive tractor trailer and giving it and us the finger when it honks for her to move her ass. The next time we see Rae, she's writhing around on the ground in what appears to be pain but turns out--I kid you not--to be heat.
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Jackson , Christina Ricci , and Justin Timberlake. The plot focuses on a Mississippi bluesman Jackson who holds a troubled local woman Ricci captive in his house in an attempt to cure her of her nymphomania after finding her severely beaten on the side of a road. The title of the film derives from the Blind Lemon Jefferson song. The film draws numerous references to the Mississippi Blues movement , particularly in its title and soundtrack. The film centers on two main characters: Lazarus Redd Samuel L.